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| Content Provider | frontiers |
|---|---|
| Author | Dolese, Melissa J. Kozbelt, Aaron |
| Abstract | This is a provisional file, not the final typeset article of communication in everyday conversation also apply to communicative exchanges between artworks and viewers. Specifically, we have proposed Grice's (1975) maxims of conversation as a promising framework for aesthetic communication in visual art (Dolese, Kozbelt, & Hardin, 2014).The Gricean framework is an intentionalist model of communication. It presupposes an underlying cooperative principle, whereby those involved in an interaction do so with the goal of being understood and arriving at some form of meaning. This plays out via four conversational maxims: quality (be truthful), quantity (be informative), relation (be relevant), and manner (be clear). When the maxims are adhered to, or even when they are intentionally unfulfilled (Mooney, 2004), the meaning of a speaker's utterance can be inferred by the listener. When maxims are violated, a speaker is perceived as no longer cooperative, negative emotions arise, and the conversation ends. The Gricean framework is thus useful in characterizing both direct and indirect communication -that is, not only the choice of words to facilitate straightforward information-sharing, but more broadly in how interlocutors negotiate and develop a shared understanding.Gricean principles can be translated into the domain of visual art, if one regards aesthetic encounters as a conversation between the artwork-as-extension-of-its-creator and the viewer. For instance, quality can be co... |
| ISSN | 16641078 |
| DOI | 10.3389/fpsyg.2020.00473 |
| Volume Number | 11 |
| Journal | Frontiers in Psychology |
| Language | English |
| Publisher Date | 2020-03-18 |
| Access Restriction | Open |
| Subject Keyword | Common humanity Aesthetic experience Communication Inclusion Gricean maxims Aesthetic emotions Affordances Meaning-making |
| Content Type | Text |
| Resource Type | Article |
| Subject | Psychology |
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