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  1. Proceedings of the 1st international workshop on 3D video processing (3DVP '10)
  2. Novel view synthesis for stereoscopic cinema: detecting and removing artifacts
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Space-time visual effects as a post-production process
From silhouettes to 3D points to mesh: towards free viewpoint video
Stereo in post-production
A novel blind watermarking scheme for depth-image-based rendering 3D images
A joint multi-view plus depth image coding scheme based on 3D-warping
Novel view synthesis for stereoscopic cinema: detecting and removing artifacts
OTESC: online transformation estimation between stereo cameras
Wide-baseline multi-view video segmentation for 3D reconstruction
3D feature extraction from uncalibrated video clips
Multiple view human articulated tracking using charting and particle swarm optimisation
Self-occlusion handling for human body motion tracking from 3D ToF image sequence
Nonrigid stereo reconstruction using linear programming

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Novel view synthesis for stereoscopic cinema: detecting and removing artifacts

Content Provider ACM Digital Library
Author Devernay, Frédéric Peon, Adrian Ramos
Abstract Novel view synthesis methods consist in using several images or video sequences of the same scene, and creating new images of this scene, as if they were taken by a camera placed at a different viewpoint. They can be used in stereoscopic cinema to change the camera parameters (baseline, vergence, focal length.) a posteriori, or to adapt a stereoscopic broadcast that was shot for given viewing conditions (such as a movie theater) to a different screen size and distance (such as a 3DTV in a living room). View synthesis from stereoscopic movies usually proceeds in two phases: First, disparity maps and other viewpoint-independent data (such as scene layers and matting information) are extracted from the original sequences, and second, this data and the original images are used to synthesize the new sequence, given geometric information about the synthesized viewpoints. Unfortunately, since no known stereo method gives perfect results in all situations, the results of the first phase will most probably contain errors, which will result in 2D or 3D artifacts in the synthesized stereoscopic movie. We propose to add a third phase where these artifacts are detected and removed is each stereoscopic image pair, while keeping the perceived quality of the stereoscopic movie close to the original.
Starting Page 25
Ending Page 30
Page Count 6
File Format PDF
ISBN 9781450301596
DOI 10.1145/1877791.1877798
Language English
Publisher Association for Computing Machinery (ACM)
Publisher Date 2010-10-29
Publisher Place New York
Access Restriction Subscribed
Subject Keyword Stereoscopic cinema View interpolation Anisotropic filtering
Content Type Text
Resource Type Article
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