NDLI: Proceedings of the 1st international ACM workshop on Music information retrieval with user-centered and multimodal strategies (MIRUM '11)

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The need for music information retrieval with user-centered and multimodal strategies

Audiovisual archive exploitation in the networked information society

Music identification via vocabulary tree with MFCC peaks

Analyzing sound tracings: a multimodal approach to music information retrieval

Affective content analysis of music video clips

Finding geographically representative music via social media

Advantages of nonstationary gabor transforms in beat tacking

A tempo-sensitive music search engine with multimodal inputs

Music genre classification using explicit semantic analysis

A musical mood trajectory estimation method using lyrics and acoustic features

What is a "Musical World"? An affinity propagation approach

Proceedings of the 1st international ACM workshop on Music information retrieval with user-centered and multimodal strategies (MIRUM '11)

Content Provider	ACM Digital Library
Editor	Liem, Cynthia Eck, Douglas Tzanetakis, George Müller, Meinard Wang, Ju-Chiang Miro, Xavier Anguera Richard, Gaël
Copyright Year	2011
Abstract	It is our great pleasure to welcome you to the 1st International ACM Workshop on Music Information Retrieval with User-Centered and Multimodal Strategies (MIRUM). MIRUM was proposed in order to gather experts from the Music and Multimedia Information Retrieval communities, as well as other neighboring fields, and aims to provide a high-profile platform for presenting current work on Music Information Retrieval, with strong focus on user-centered and multimodal approaches. Music content is multifaceted and exists in many different representations, including audio recordings, symbolic scores, folksonomy descriptions and accompanying video material. No single representation is capable of accounting for all of the music experience, which is strongly guided by affective and subjective context- and user-dependent factors. The existence of complementary representations and information sources in multiple modalities makes music multimedia content by definition. Furthermore, the subjective and affective aspects of music pose challenges that are faced and experienced in the broad Multimedia community. Thus, we believe it is appropriate to discuss these topics in a Multimedia context. The MIRUM 2011 Call for Papers attracted 22 international technical submissions. The program committee accepted 9 papers that cover a wide variety of topics, ranging from beat tracking techniques to affective analysis of music videos. In addition, the full-day program includes a keynote speech by Dr. Roeland Ordelman (Netherlands Institute for Sound and Vision & University of Twente, The Netherlands) on exploitation possibilities of audiovisual data in the networked information society, as well as a panel on bridging opportunities for the music and multimedia domains, featuring multiple experts from the music and multimedia communities. We hope that these proceedings will serve as a valuable reference for researchers in the fields of Music and Multimedia Information Retrieval, as well as neighboring fields.
ISBN	9781450309868
Language	English
Publisher	Association for Computing Machinery (ACM)
Publisher Date	2011-11-30
Access Restriction	Subscribed
Content Type	Text
Resource Type	Conference Proceedings

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