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  1. The Nō Plays of Japan
  2. 4.3 Princess Hollyhock (Zenchiku Ujinobu?)
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Introductory Notes
1.1 Atsumori (Seami)
1.2 Ikuta (Zembō Motoyasu)
1.3 Tsunemasa (Seami)
2.1 Kumasaka (Zenchiku Ujinobu)
2.2 Eboshi-ori (Miyamasu)
2.3 Benkei on the Bridge (Hiyoshi Yasukiyo)
3.1 Kagekiyo (Seami)
3.2 Hachi No Ki (Seami)
3.3 Sotoba Komachi (Kwanami)
4.1 Ukai the Cormorant-Fisher (Enami no Sayemon)
4.2 Aya no Tsuzumi (Seami?)
4.3 Princess Hollyhock (Zenchiku Ujinobu?)
5.1 Kantan (Seami?)
5.2 The Hōka Priests (Zenchiku Ujinobu)
5.3 Hagoromo (Seami)
6.1 Tanikō (Zenchiku)
6.2 The Pool Sacrifice (Seami)
6.3 Early Snow (Zembō Motoyasu)
6.4 Haku Rakuten (Seami)
7.1 Summaries, Pt. 1
7.2 Shunkwan (Seami)
7.3 Summaries, Pt. 2
7.4 Summaries, Pt. 3
8.1 Farce: The Bird-Catcher in Hell (Esashi Jūō)
Appendices

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4.3 Princess Hollyhock (Zenchiku Ujinobu?)

Content Provider Librivox
Abstract Noh (Nō), or Nogaku—derived from the Sino-Japanese word for "skill" or "talent"—is a major form of classical Japanese musical drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art still regularly performed today. Traditionally, a Noh program includes five Noh plays with comedic kyōgen plays in between, even though an abbreviated program of two Noh plays and one kyōgen piece has become common in Noh presentations today. An okina play may be presented in the very beginning, especially during New Year celebrations, holidays, and other special occasions. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent the roles such as ghosts, women, children, and old people. Written in ancient Japanese, the text "vividly describes the ordinary people of the twelfth to sixteenth centuries." These translations are done by renowned scholar Arthur Waley, a remarkable self-taught master of both Chinese and Japanese, who is often regarded as the most important transmitter of East Asian culture to the West in history. - Summary by Wikipedia (edited by Expatriate)
Related Links https://archive.org/details/noplaysofjapan00waleuoft http://archive.org/details/nohplaysofjapan_1602_librivox
File Format MP2 / MPA / MP3
Language English
Part of Series The Nō Plays of Japan
Requires HTML5 supported browser
Access Restriction Open
Subject Keyword plays
Alternative Title The Nō Plays of Japan - 4.3 Princess Hollyhock (Zenchiku Ujinobu?)
Content Type Audio
Resource Type Audiobook
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