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Photo Essays
Almanac
Durga Puja
Annales
Annual Report
Appendix
Article
Centre for Cultural Resources and Training
National Council of Science Museums
Sangeet Natak Akademi, New Delhi
Bhavai: traditional drama of Gujrat
Notes and news
Bhavai: the Gujarati folk drama
The Thullal of Kerala
Some unexplored area of research in Indian music
Marathi stage movement
Later sangita literature
Impressions of the folk dance festival
Editorial
Overview of the folk theatre of Rajasthan
Book Review
The aesthetics of Kathakali
Bharata natyam
Cultural Diary
National dance festival
Prahlad natak
Urban culture and performing arts
Perspective studies in music: studies in music; 1
Notes and news
Book Review
Cultural diary
Music and silence-1
Notes and news
Cultural diary
Book-Review
Cultural diary
Cultural diary
Cultural diary
Cultural diary
Cultural diary
Sir Henry Irving (1838-1905)
Akadami awards for 1955
Akadami awards 1956
Music seminar: April 1957
Akadami - awards 1957
Akademi Awards 1959
National folk dance festival 1960
National folk dance festival 1961
Akademi Awards 1961
JSNA No.2 [April 1966]
JSNA No.6 [October-December 1967]
JSNA No.8 [April-June 1968]
JSNA No.41 [July-September 1976]
Kashmiri theatre: three decades: a survey 1947-1977
JSNA No.46 [October-December 1977]
JSNA No.52 [April-June 1979]
Sangeet Sakuntala (1880-1980)
JSNA No.63 [January-March 1982]
JSNA No.69 [July-September 1983]
JSNA No.71 [January-March 1984]
Echoes of 1987
JSNA No.95 [January-March 1990]
JSNA Vol.39, No. 2 [April-June 2005]
The Indian people's theatre association: a preliminary sketch of the movement and the organization 1942-47
Epic to polemic: social change in Marathi drama 1843-79
Appendix report on the workshop and festival from Sangeet Natak Akademi's annual report 1993-93
Disc review: Poineer of the Kirana school
Chitra, pata, and sangeet in India: an aesthetic appraisal
State as patron of performing arts: Recruitment of performing artists for different state agencies
Friday: a play in Four acts V.C. Harris
Performances, patronage, and politics
Book reviews: Fundamental Questions in Aesthetics. P. C. Chatterji [and] Hindu-Javanese Musical Instruments by Jaap Kunst
Vasantrao Deshpande: a tribute
Book reviews: Kathak prasang edited by Rashmi Vajpeyi and Traditional performing atrs: potentials for scientific temper by Varsha Das
Delhi: a search for identity
Purvaranga In Kutiyattam vis-a-vis natya sastra
The institutions of Ganika and Devadasi from ancient to medieval times
Book and disc reviews:Sri Tyagaraja Kirtani Pond Vilakkam by Keezvelur Meenakshisundaram Pillai [and] Introducing Indian Music by Joshi and Lobo
Production value of a radio play
Bharamaragita: a brief comparative study
The puppet theatre tradition of Karnataka
Music and music films
Dance seminar recommendations
Abhinaya in Odissi
The dying art of telling a story
Later sangita literature
Kannada drama and theatre
An analysis of Thyagraja Kritis in Kalyani
A visit to Assam
Multimedia aids in music-learning: possibilities and limitations
Movements and institutions in Indian theatre
Folk dances of Rumania
The tradition of Hindu theatre criticism: an overview
Rajasekhara's contribution to Indian theatre
Book reviews: Pshychology of music edited by R. C. Mehta; The music of India: a scientific study by B. Chatianya Deva; The winged form, aesthetics eassy on Hindustani rythem by Sunil Kumar Saxena [and] Vaidika parampara mein samagama; hindi translation of Rajeshwar Mitra's bengali work vaidikaaitihye samagam by Madan Lal Vags
Some thoughts on riaz
The blind alley: a post-mortem of the 'new drama in Orissa'
Dilemmas of a contemporary theatre practitioner
Veethi Bhagavatam of Andhra
Dreaming theatre anew
Music seminar: Inaugural address
Ethnomusicology and Kinnaur: a suggested methodology
Theatre Experience: Ramlila of Ramnagar- Richard Schechner Talks to Kartik Awasthi
Performing arts and Kautiliya's arthasastra
Uparupakas and nritya-pradandhas
Tagore's thoughts on music:dimensions of appreciation
Songs of Kumaon
Book reviews: Evolution of Raga and Tala in Indian Music by M.R. Gautam and Mahabharata in performance By M.L. Varadpande
Drama on television
Classification scheme for Indian music literature
Dance seminar: a brief day to day account
Manipuri drama and theatre
Tagore on music and musical aesthetics
Book Reviews: Essays on Indian music articles by Josef Kuchkertz; edited by Selina Thielemann [and] Purnia anchal ke lokgeeton ka sangeet by Anjana Ganguly
Experimental psychology and Indian music
The therapeutic value of Indian classical dance
IPTA and Indian cinema during the 1940s and the early 1950s
The spiritual and Hindustani music
Attitudes of consciousness in Indian and western music
Appreciation of Sanskrit drama in Kalayug
The part of percussion instruments in South Indian music
Kalidas and Brecht
Influence of Indian music on western composers
Musical Connections Between Asia and Europe
The critic's calling: an interview with Rajinder Paul
Music research on computers: why and how to make computers sing
Search for an identity through theatre
Ananda Coomaraswamy's approach to Indian art
Book review: Uday Shankar: a photo biography edited by Sunil Kothari and Mohan Khokar
Traditional Indian theatre and Kabuki: a passage towards a total theatre
The mask-dances of Kerala
Performing art and narrative
The Khayal in Hindustani music
Raagas and Raaginis from Maadanul Musiqui
Winds of change: thoughts on Marathi theatre
Venkatamakhi and the raga system: some basic aspects of his contribution to Indian Music
Folk-songs of Assam
Archival music, and the gharanas
Teyyam of Kerala
Aesthetic analysis of a paran amad in Kathak
Zeami
Book-Reviews: Musical forms in sangitaratnakara by N. Ramanathan [and] Sri Ram Memoral lectures, 13: theatre and community by K.V. Subbanna
Book review: Sivasagar Natya Samajar Itivritta (In Assamese) by Sahajananda Bharali
The putli in Gujarat
Recent acquisitions: library of sangeet natak akademi
The Indian theatre
Book review: Master Fida Hussain: Parsi theatre mein pachas varsh edited by Pratibha Agrawal
Yakshagana seminar
Bhavai: traditional drama of Gujrat
Modernity in Khayal: some notes
The boodhi-lila of Braj: Its background and present performance
New York theatre and a New York playwright
Translating a Kathakali classic
Kabuki and Kathakali: some impressions
Report: India international dance festival
T. Balasaraswati: the whole words in her hands
Permchand's plays and his brief encounter with the film-world
A hundred years of Gujarati drama and theatre
Urban culture and the performing arts
Ritual in Indian tradition
West's increasing interest in Indian music
Bellary Raghava: the man who made the modern Telugu theatre
Drama seminar
Vachikabhinaya
The changing colour of patronage
Raga, species and evolution
Notation: a wider perspective
Violence as theme in contemporary Indian drama
Rashtrapati's speech
Welcome address
Rehabilitation of Kandyan dancing Ceylon observer's speech
Guru Amubi Singh: His Valuable Contribution in Abhinaya
Gayanacharya Manohar Pt. Anant Joshi
Shadow puppetry and Ravan Chhaya of Orissa
Maisnam Ojha Amubi: My Guru
The shadow puppet theatre of Andhra Pradesh
The dominant rasa: an interview with Ammannur Madhava Chakyar
Shadow theatre in Andhra Pradesh: Tolu Bommalu Kattu
Aesthetics and philosophy as related to Indian music
Protection of traditional cultural expression: performing arts
The puppet theatre: international trends and the contemporary scene in India
Accommodation for spectators
The artistic philosophy of Chinese traditional drama
Puppetry at bharatiya lok kala mandal, Udaipur
Guest editor's preface
Tagore's concept of music
Communication and music
Aesthetic-oriented music and art education
Book reviews: On concepts and classifications of musical instruments by Margaret J. Kartorni ...[at.al.]
Forms in music: an exploratory mathematical study of Indian musical patterns
Musicology in India
Demystifying Kathakali
Editorial: Hindi film music: a perspective
Theatre in dark times
Songs of the todas of the Nilgiris
Ojha Amubi: My Guru: A Personal Tribute
Rasdhari: folk theatre of Rajasthan
Doddata: a folk theatre of Karnataka
Is Kudiyattam a museum piece ?
Ragamala paintings: a musicological perspective
Classical Tradition of Nata Movements
Creative process of the Indian film
Pilgrimage to rasa: excerpts from Mallikarjun Mansur's autobiography
Changing role of words in theatre: Mohan Rakesh
Theatre criticism in Malayalam
Recipients
Book reviews: Muthuswami Dikshitar by The National Centre for the Performing Arts [and] The musical heritage of Sri Muthuswami Dikshitar by The Indian Musicological Society
Gotipua dancers of Orissa
To Kathak Anew
Melodic figuration's in Khyal-gayaki
Some unexplored area of research in Indian music
The Odin theatre: activities at the theatre laboratory, Hoistebro, Denmark
General character of the folk music of Bengal
Abhinaya, the path of rasa
Music in Kathak
Hirabai Barodekar: akeli mat jaiyyo radhe jamuna ke teer
Utilising folk music in mass media
Book reviews: Psycho acoustics of music and speech, by B. C. Deva; Melodic types of Hindustan, by Narendra Kumar Bose; Bhatkhande Smriti Grantha (Hindi) edited by P. N. Chinchore; Rangadarshan by Nemichandra Jain
Musical image of Tyagaraja in tradition and practice
Book review: Indian musical traditions by V. H. Deshpande
The training methods of Kutiyattam
Beyond entertainment: theatre of social healing
Origin of dhuravapada and Krishna bhakti in Brijbhasa
Kamala the dancer
Kathak: some terms and distinctions
Some trends and experiences in Punjabi drama and theatre
Notation: an akademi report
Vacikabhinaya in Kerala's traditional Sanskrit theatre
Tradition and innovation in Yaksagana: Kota Shivarama Karanth and Keremane Shambhu Hedge
Kalidasa's Sakuntala in performance
Raga prakarana of Ragatattvavibodha of Pandit Srinivasa
Some notes on the use of tradition in theatre
Kuchipudi school of dancing
Classical music in the Mahabharata
Directory of Kutiyattam Artistes : 20th Century
Problems of amateur theatre: II
Contemporary productions of bhasa plays
Performing arts: documentation, preservation, retrieval
Dancer and musician in Belur
Abhinaya in Kutiyattam
Common errors in dance
Bhimsen Joshi and the kirana gharana
Modern verse - drama in Kannada
Dance and education
Choreography
In search of a lost tradition: Chamadyache Bahulya, Kalasutri Bahulya and Pothi
Book-review: Ang Kavya by Birju Maharaj
Gangubai Hangal: a tribute-II
Old Bengali songs: some observations
Cultural diary
Triptych of Asian drama
Mudras in the Kalika-purana
The modern the traditional and criticism in the Indian music tradition
An introduction to folk musical instruments of Bengal
Kuchipudi: a dance-drama from Andhra Pradesh
Synthesizing carnatic music with a computer
Dance criticism
Music & research
On the methodology of teaching Indian classical music
String puppets of Kerala
Dance seminar: who's who
Operas of Tyagaraja
Trends of Indian drama to-day
The perennial appeal of wayang: Shadow-Theatre of Java
Tsunamika: life on strings
A method for analysis of gamaka in alpana
Kandappa Nattuvanar
The development of chordophones in India
Natankusa : a critique on dramaturgy
Need for resolution of musical intervals: part 1: static context
National drama festival Rashtrapati at the inaugural session
Sangeet Natak Akademi's dance seminar
Marathi sangeet
Metamorphoses of a play: puppet, kabuki and western versions of 'miracle at Yaguchi Ferry
Plea for a living theatre
Meaning of Music: an empirical study of psychological responses to Indian Music
Rumanian folk songs
Compostitions of Ustad Zahoor Khan (Ramdass)
Limits of interculturalism
The rasa theory: an essay in understanding
Religion and the performing arts: a critique of Ananda K. Coomaraswamy
Traditional Tamil drama and the present impasse
Round table on the contemporary relevance of traditional theatre
Music of West Asia
The Hindustani music market today: the road ahead for the music-maker
Introduction : the aesthetics of Kutiyattam
On teaching South Indian music
A voice from the past: part-I on Indian music : part-II concerning Uday Shankar
Ram Gopal
Jatra regional drama of Bengal
Inside a temple theatre: a personal account of Kootiyattam
Recommendations of notation committee
Ananda in the aesthetics of Indian music
Treatment of themes in Indian English drama
Scientific problems in the construction of musical instruments
Badal Sircar: middle class responsibilities: article and interview
Music in the Soviet East
Music and symbolism: studies in music: III
Told Bommalata: the shadow puppet theatre of Andhra Pradesh
The old Indian theatre in Poland
Book review: Bhavai and its typical aharya by Goverdhan Panchal
Journey through Rajasthan
Experiments in folk drama for contemporary theatre
India international puppetry festival
Chinese national music
Theatre without walls
Glimpses of Tamil music
Koottampalam Sanskrit stage of Kerala
Jovial Rama and Krishna in Santhal culture
Production suited to Indian conditions
Cultural survey of Rajasthan folk entertainment
The curtain in Abhijnana Sakuntala
Nagarjunakonda amphitheatre
Healing through arts: decoding the Indian paradigm
Kirtana
Book review: Sangitaratnakara of Sarangadeva
The Legacy of an Ancient Tradition
Bharata natayam: the dance art of the Tamils
Forum: towards a professional theatre
Shailendra
Editorial traditional idiom in contemporary theatre
Automatic musical instrument in aid of research in India
Kutiyattam at Kerala kalamandalam
The traditional puppet theatre of Kerala
Acoustics of wind musical instruments
Missionary play in Lahore, 1600 A.D
Social significance of the folk-songs of Orissa
Thoughts on music in Plato's republic
Indian music and philosophy
Bengali drama and theatre
The Ghazal in Indian films
Guru Amubi Singh: The Last Titan
Imagining a national theatre: the first drama seminar report
Nalacharitham in the light of western literary criticism
Towards an aesthetics of Kathak dance
Aesthetics of Hindustani music in independent India
Mohiniyattom through the medium of dance notation
How much do we know about Indian musical theory
Theory of consonance and structure of scale
Book review: Ustad Ameer Khan jeevan aur rachnaen by Singh Tejpal and Arora Prerna
Sangeet natak akademi annual awards: speaches delivered by the Chairman, Smt. Kamaladevi Chattopadhyaya and vice-chairman, Dr. S11Jt. Kapila Vatsyayan at the awards giving ceremony on February 11, 1981
Musicians of the year
Sisir Kumar Bhaduri and dramatic tradition of Bengal
Reception to little Ballet' troupe
Kuttampalam
Music theatre in the Chinese tradition
Art of dancing in new China
Sanskrit drama: epic and romance
Theatre criticism in Kannada
Book reviews: On music and Hindoostan by Ashok D Ranade; Kultampalam & Kutiyattam by Goverdhan Pancnal and The Mahabharatar: a literary study by Krishna Chaitanya
Cultural evaluation: a case study of Indian music
Some folk dances of Orissa
Reviews: Natrang: special issue on Hindi theatre edited by N. C. Jain; Kathak: Indian classical dance art by Sunil Kothari; Maharashtra art music by Ashok D. Ranade; [and] Thumri: tradition and trands seminar papers edited by R.C. Mehta
Asif Currimbhoy's the refugee
Book reviews: The Ramayana and the malay shadow-play by P. L. Amin Sweeney [and] On thrones of gold edited by James R.
The drum beat in Santhal culture
Dance seminar : a resume of performance
Music in Kutiyattam
Henrik Ibsen and Indian theatre
Vidusaka in Indian folk theatre
Chitra pata sangeet
Music in ancient Indian drama
The rites of passage and Kutiyattam: the Sanskrit theatre of Kerala
Forum: problems of preservation in folklore studies
State academies . . .
Traditional methods of musical training and modern music classes
Discussion: tradition, and the way ahead
Universality of music
Svaras In Kutiyattam
Kutiyattam and Noh: commonalities and divergences
Traditional Indian puppetry: its dramaturgy styles and techniques
Balwant Gargi: in the dark courtyards
Gambhira: traditional masked dance of Bengal
Salil Chowdhury: a phenomenon in modern Bengali music
Brief notes on the other seminar papers
Modes of music teaching in higher education
Musical rituals of Dalada Maligawa: pertaining to the temple of the sacred tooth
The Jhumuras in Assamese
Carl Flesch violin competition
Uday Shankar: personal reminiscences
Music and its non-musical uses
A Select Bibliography
History and technique of Odissi dance
The life of Galilei: Brecht’s observation on the final scene
The Ganika in Buddhist and Jaina literature
My reminiscences
Theater: a demonstration of crisis
Children's theatre: I
Human larynx in relation to phonation: hints on voice culture
Role of puppetry in contemporary education
Hindi theatre & drama in modern times
The langas: a folk-musician caste of Rajasthan
Voice training in India music
Origin and history of some Important Indian melodies
Therukoothu: theatre of the Mahabharata
Royal composer music of Travancore
Kalavantulu of Andhra natyam
Gharanas of tabla
Ballet In Manipuri
Basic musical intervals and colour symbolism
Role of puppets in mental therapy
Children's theatre: II
Rasa theory and Indian Music
Keynote address: the Kathputli of Rajasthan
Wajid Ali Shah and the music of his time
The teaching of classical music today
Some names in early sangeet literature
Sociology of listening: case of the Nagaswaram
The satva varnas of Swati Tirunal
Hazrat Inayat Khan: the sufi musician of Baroda
Kelucharan Mohapatra and the making of Odissi dance
Assemese drama of the last decade
Govindrao Tembe
Book reviews: The saman chants: a review of research by G. H. Tarlekar [and] World of other faces: Indian marks by Jiwan Pani
The puppetry of Andhra Pradesh
In search of new theatre: an interview with G. Sankara Pillai
The classification of ragas
The mystique of classical dance
Ballads and folk narratives of Madhya Pradesh
Book Reviews: Bhikhari Thakur: Bhojpuri ke Bharatende by Bhagwati Prasad Dwivedi [and] Lok; edited by Piyush Daiya
The divine actor: personal reminiscences
Saraswati's changing sound: an anthropological look at the socio-psychological dynamic Hindustani music
Contemporary Indian plays
Hyderabad state academy
Ethno-musicology
Stories of birth and death in Villupattu of Tamil Nadu
Growth of Oriya yatra and early pioneers
Style in the theatre: notes on andha yug and king lear
Book review: The Rags of North Indian music by N.A. Jairazbhoy
The symbolic significance of Yaksagana
Book Review: Alice Boner on Kathakali edited by G Boner, L Soni [and] Soni
Bala: a tribute in retrospect
Training in voice and speech: one Indian approach
Uparupakas and nritya-prabandhas
Theatrical and folk traditions of Kerala Christians
Indian theatre at Michigan State University
The trinity of Odissi
Receptions given by akademi: folk-dance party of Yugoslavia
Tagore's dance-dramas
Appreciations
The professional theatre in Bengal
Looking glass: Islands of despair, Islands of hope
Terukkuttu: a street play from Tamil Nadu
Tour notes
Book review : Gita-Kusumanjall, by H. Yoganarasimham,
New aesthetics, new idioms
Folk songs of tribal West Bengal
Poetry of Tyagaraja
Book reviews: Philosophy of music by Ritwik Sanyal; The natya sastra: English translation by a broad of scholars [and] Mukta sangita-samvada edited by Shrirang Sangoram
Akademi secretary's report
Limits borders and boundaries: performance
Book reviews: Traditions of Indian theatre by M. L. Varadpande [and] The major traditions of North Indian tabla drumming by Robert S. Gottlieb
Sabdaswarapata dance: the tandava aspect of Odissi
Alpha-phoneme-phonoid: towards experiments on the ultimate unit of music and speech
Rebirth of Yakshagana
Social philosophy in Thyagaraja's songs
The naradiyasiksa on the evolution of the heptatonic scale
The methodology of teaching Indian classical music: a statement on the problem
Some names in early sangita literature
The moving image and music in India
Guru Amubi's Vision of Manipuri Dance
Reflections on methods of music teaching
Music and architecture: reflections on the new Berlin philharmonie
Indian english drama: why mearge achievement?
Self-education in musical appreciation
Gender monopolies in Indian classical dance: a sociological analysis of cause and context
Dancing art in China
Padams and short lyrics in dance
Air's seminar on the Harmonium: seminar papers
Damayanti in nalacharitham attakatha
Making music you can see: integral connection between sound and colour
Classical dances of ceylon
Bhavai: Gujarati folk drama
Chavittu-Natakam dramatic opera of Kerala
Modren Indonesien theatre
Hanuman and traditional Indian theatre
Book review: Teyyam by K.K.N. Kurup
Film seminar: the Prime Minister's inaugural address
Book review: The theatres of Bharata and some aspects sanskrit play-production by Goverdhan Panchal
Yakshagana in Telugu
Studies on Indian musical scales: part-II: on the degree of relatedness of ragas and application to 72 melas
Dance at the commonwealth arts festival
Aesthetics of Hindustani music
Noh, Kabuki, Kathakali
Colour symbolism in the classical theatre of India,China and Japan
Hindi drama
Dances of Yugoslavia
Definition of radio play
Reflections on the German theatre
Sanskrit theatre in Orissa: a chronological review
Ammannur gurukulam
Book-Review
The plays of Tagore
Devindra Satyarthi: a living legend
Some thoughts on Odissi dance
The Chhau dance of Mayurbhanj : II
Mahakavi Venkatasubbier of Oothukkadu
Traditional disciplines in training: a survey of work in Kerala Kalamandalam
The tradition of non-classical dance practices in Maharashtra
Book reviews: An introduction to Indian music by B. Chaitanya Deva [and] Music of Eastern India by Sukumar Ray
Book reviews: Mohini Attam (Vol. xxvi, No.2); Musical Instruments in Indian Sculpture, by G.H. and Nalini Tarleker [and] Bharatiya Sangeet Vadya (in Hindi) by Lalmani Misra.
Forum: the role of civic theatres
Film seminar recommendations
The abhoga and its 'signature'
Rhythm and music
Value of art in children's education
Film seminar speech by Shri H. N. Kunzru
Humayun Kabir's address
Report: the bhasa festival: a brief recall
Alapa in dhruvapada gayaki: an aesthetical note
Bengali drama and theater
Music in Japan, music in India: relationships and potentialities
The Khayal
The concept of raga: an essay in understanding
Guru Amubi
Iranian music a brief survey
The folk music of Bengal
Bala
Muthuswami Dikshitar
Bombay: Marathi avant-garde at the crossroad
S. Ganesa Iyer: a connoisseur and sahridaya
The Elitist, the Commercial, and the Popular in Indian Theatre: A Voice from the Margins
The classical noh theatre of Japan: an Indian approach
Parallelism and contrast in Ashadha ka ek din
Classical music in Assam
Yakshagana: a musical dance-drama
On Bharatanatya
My father, my guru: Ustad Amjad Ali Khan talks to L.K. Malhotra
The temperament of Marathi drama
An approach to our traditional theatre
Pattikkanthodi Ramunni Menon
Towards a better appreciation of Kathakali
The vidushaka : glimpses in select plays
Book reviews: Siva in dance, myth and iconography by Anne Marie Gaston [and] Kathak in raigarh by Pandit Kartikram
Sanskrit drama and performance
Training methods at the almora centre
Avenues to a swara
The rasa theory: its meaning and relevance
Kavadi attam
Ustad Ameer Khan: the man and his art
Shift of modal tonic in relation to simple and complex repetitive ragas in Karnataka music
Traditional theatre: practices and conventions
Woman in the folklore of Awadh
Aesthetics of some Karnataka musical forms
Book reviews: Krishna: the butter theif by John Stratton Hawlay [and] Dance and music in South Aisan drama: report of Asian traditional perfroming arts 1981 by The Japan Foundation
Dance and Ritual in Manipur: Text and Photographs
Music seminar: paper read by Madeleine Mansion (vocal technique)
Bala's musicians
Gopeshwar Banerjee
Republic day folk dance festival: reminiscences and reflections
Malayalam drama and theatre
Origin and development of the rabab
Poetic experience an Indian view
China's Gift to the akadami
St. Denis and India's dance renaissance
Sri Muthuswami Dikshitar: composer per excellence
Drums of India: an ethnomusicological perspective
Seminar on Kuchipudi dance: a brief report
Kutiyattam in temples
A plea for a film history
What do dancers create?
Book review: Varnam: selected concert studies for the South Indian Lute by Emmie te Nijenhuis
Report of the all India festivals of puppets and dummy dancing
Zen aesthetics in Japanese theatre
Book reviews: The puppet theatre of Asia by J. Tilakarasiri [and] Kolhatkar Ani Hirabai by M. L. Varadpande
The chhau dance of mayurbhanj: III
Book-Review: The play is the thing: Sri Ram memorial lecture by Vijay Tendulkar
Kathakali
Jhumar of the West Bengal highlands
Co-relation of music with spiritualism and philosophy: an analytical study
Resolution of the ministry of education: on the national academy of dance, drama and music
Altaf Hussain Khan
Marathi theatre
Natya' rasa at RASA
Nataraja or narteshwara of gauda-banga
The devadasi tradition in Orissa
The art of tabla-rhythm: past and present
Puppetry in Rajasthan: a practitioner's exhortation
A mathematical model of the Shuruti-Swara-Grama-Murcchana-Jati system
Cosmic dance of the mevlevi dervishes
Theatrical arts in jataka tales
Theatre in Viet Nam
Role of music in society and culture
Forum: the role of civic theatres: some views all the subject-I
Ganesh in Indian folk theatre
Social role of theatre in India
The music of Ghulam Haider
Book reviews: Traditions of Indian folk dance by D. Kapila Vatsyayan; Bharatiya vadye by BC. Deva; translated from Marathi by M.K. Paradh [and] Traditional folk media in India by Shyam Parmar
My approach to the teaching of music
Theatres of Bharata: methodology for their reconstruction and some unexplored and little explored aspects
Pallavi in carnatic music
Gayanacharya Pandit Mirashibuwa
Laya and Tala in the folk music of Uttar Pradesh
Book reviews: Nrttaratnavali of Jayasena edited by Dr. V. Raghavan [and] Dance dialects of India by Ragini Devi
Art in cinema
Bibliography of works on Sri Tyagaraja
The female impersonator in traditional Indian theatre
The Parsi theatre; its origins and development: III
Hindustani music and two Idioms of aesthetic concern
The open stage and its conventions
Experiments in Polish theatre
Iocaste
Description, interpretation and music criticism
The chakyar families
Problems of amateur theatre: I
Greek folk music: a brief survey
Trends in world puppetry
Who's who in S.N.A
Melody through the centuries
Secretary's tour notes
Dance arts of South-East Asia
Ritual in Kannda folk theatre
Byzantine music
The music of Yugoslavia
Keshavrao Bhole: excerpts from his mazhe sangeet
Interview : Jerzy Grotowski-Eugenio Barb (Part-I)
The guru-shishya parampara: a broader view
Bhagavata mela
Pankaj Mullick's contribution to Indian film music
Limitations of the verse-play some reflections
Ustad Allauddin Khan
Select scenes
Book reviews: Bards ballads and boundaries: an ethnographic atlas of music-traditions in West Rajasthan
Notation: some views on the akademi report
Film seminar welcome speech by the Chief Justice P V Rajmannar, chairman, Sangeet Natak Akadami
Sureshbabu Through the notes of Yaman
Yakshagana Bayalata
The present of the past: the outlook for folk music in India
Book review: Amir Khusrau by Publications Division
National dance festival
Cultural news
Editorial
The swadeshi movement and bengali theatre
Papanasam Sivan
The kurum kuzhal of Kerala
We and our music: an overview
1st Meeting of the academy
Gangubai Hangal: a tribute-I
Words and tunes: principles of assimilation (with special reference to Tagore songs)
Kant, Hegel and Schopehauer in musical aesthetics
Book-reviews: Classical musical instruments by Suneera Kasliwal; The musical heritage of India by M.R. Gautam; Listening to Indian music by Chetan Karnani [and] Gadbadjhala, Khelkavya: ek parichay edited by Ashish Ghosh and Manlsh Manoja
Assamese theatre
Kutiyattam and its correspondence to the natyasastra
The musical associations of devotional poetry in Eastern India
Simple repetitive ragas in Karnataka music
The evolution of rasas in Indian literature
Some problems in Science and Music: exploration in possibilities
Book-Review: The Krsnagiti of Manaveda edited and translated by- C.R. Swaminathan,. and Sudha Gopalakrishnan ; Semiotics of Yakshagana by Guru Rao Bapat and Music Album: music of Sripada Pinakapani compiled by G.N.S Raghavan
Traditions all around us
Begum Akhtar: random thoughts and personal reminiscences
Thullal of Kerala
A momentous transition
Report on the national workshop on the contemporary theatre arts
Valmiki's Ramayana and the natyasastra
Ustad A. Rahimuddin Khan Dagur
Aesthetics of Hindustani musical forms
Ballads of Kerala
Culture and power
Bulgarian folk Dances
Indian musical scales
On teaching and learning music
Amateur theatre in India
Eduard Hanslick's aesthetics of music and the concept of Nada-Brahman
Krishnanattam: an overview
The migration of a text: the 'Indar Sabha' in print and performance
Academy of music and dramatic art in Vienna
Sri Tyagaraja: an appreciation
Devadasi murai
Role of music in the development of mentally handicapped children
Antarnaad: sur aur saaz
Curtain in classical Sanskrit drama
The theatre of Kinu Kahar
Towards a revival of the bhana
Drum dictates the tune in kolam of Sri Lanka
The 108 karanas: a technical re-interpretation of chapter IV (Tindava Laksanam) of Bharata's Natyasastra
Clarifications on Lokadharmi and Natyadharmi
The devadasi of Tamil Nadu: a study
Fifteen purabi songs of Uttar Pradesh
Dramatic tension in Ashadha ka ek din
Marathi stage movement
Mantrankam at peruvanam
Book reviews: Quarterly journal, National Centre for the Performing Arts, Bombay [and] Sangeetache Soundrya Shastra, by Ashok Damodar Ranade
Indo-Soviet seminar on music: a report
Senia gharana of Rampur
Martial musical instruments of ancient India
Compostitions of Maharaj Bindadin
Music of Kashmir
The Parsi theatre: its origin and development: II
Kuchipudi Bhagavatam: the dance-drama of Andhra Pradesh
The banner festival of Indra
Problems and Prospects of Classical Manipuri Dance
The Chhau dance of Mayurbhanj: I
De-mystifying Kathakali
The effect of melodic symmetry on need for resolution ratings for musical intervals
My Reminiscences of Guru Amubi Singh
Production of the little clay cart
Arts : re-connecting with nature
Compositions of Sri Swati Tirunal: some firsts in Karnatak music
Guru Amubi Singh
Chhau: a comparative study of Sareikela and Mayurbhanj forms
Book review: The music of the bauls of Bengal by Charles Capwell
Bharata's stage in action
Teaching Indian dance in New York
Book reviews: The music and musical instruments of Southern India and the Deccan by C.R. Day [and] Asian Puppets; Wall of the World. Catalogue of an exhibition presented by the University of California
Over forty years before the footlights: part II chapter XXII
Vanraj Bhatia
Cultural difference as the basis for creative education: report on the work of the Institute of American Indian arts
A survey of music manuscript in the government oriental manuscripts library, Chennai
Post script
How Mohan Upreti found his Guru: the rithagarh episode
A review of the Indian film industry
Vidushaka in Kutiyattam
K.R. Kumaaraswamy and his times
Ariyakudi Ramanuja Iyengar
Glossary
Some collectors of film music
Swati Tirunal as a scholar
Book reviews: Kumar Gandharva edited by Ashok Vajpeyi; Music in India:the classical tradition by Bonnie C. Wade [and] A short history of musical life in Hungary by Carvina Kiado [et.al.]
Aesthetics of Kathakali
Indo caribean local-classical music: a unique variant of Hindustani music
Effect of Ragas and mannerism in singing
The growth of drama in Tamil Nadu
Recommendations of the drama seminar
Musicometry of Indian melody
Book Reviews: Bharata natyam: from temple to theater by Anne-Marie Gaston [and] Sitar and sarod in the 18th and 19th centuries by Allyn Miner
The growth of Oriya drama and theatre
First national music festival
Bhajana tradition in South India
A perspective on the problem of raga shrutis and grama-murcchana analysis
Indian pantomime
Krishnachandra’s scheme of melas
The play's not a thing
The End of an Era: The Life of Guru Amubi Singh
Urdu drama
Two early sculptural representations of Indian theatre
China's modern opera: its achievements and future
The devadasi in the socio-religious context
The gombeatta of Karnataka
Drama and theatre in Orissa
The noh theatre of Japan and its impact on the west
Forum: is there an Indian modern dance?
Bal Gandharva: a tribute
Sripada Pinakapani
Muslim influence on Venkatamakhi and his school
Carnatic Ragam thodi: pitch analysis of notes and gamakams
Margi as a resource centre for Kutiyattam
Need for preservation, research and experiment in the field of music
Encounter of the performing arts and modern media
Classification and preservation of disc records
Geeta Gopala
Indo-English women playwrights
Teaching music at institutions
On recreating a tradition: editorial
Form and content in Hindustani rhythm
Encounter with Indian dance
Traditional and new drama
Problems of orchestration in Indian music: Vishnudas Shirali talks to B.C. Deva
Gouri : Dance - drama of Rajasthan
T. N. Rajaratnam Pillai: reminiscences
Book Reviews: Women's role in Kudiyattam by L.S. Rajagopalan [and] Music in India: the classical traditions by Bonnie C. Wade
Yatra of Bengal
The Tarer Putul of West Bengal
Gleanings from the south
Kanchi Kailasa: storehouse of Siva Tandava Sculptures
Tuyilunarttu Pattu: wake-up songs of the gods
Production of Operas
Alternative stages: anti-realism, gender, and contemporary Indian "folk" theatre
Music seminar (Recommendations)
Contributors of papers in the drama seminar
The arts and the people: a conversation with Rukmini Devi Arundale
Parsi theatre in Malaysia
Bengali theatre: quo vadis?
Teaching Indian music: coping with a changed environment
Musical aesthetics of Ferrucio Busoni: a way to the realization of infinite music
Working with Bala
Moula bux
Teaching and learning
Book reviews: Krishnarao Shankar Pandit: a doyen of khayal by Neela Bhagwat; String instruments of North India (Vol. II) by Sharmistha Sen
Hindustani music and the philosophy of art
The varnam in Bharatnatyam: a socio-historical analysis of its origins and development
The putul nach of Assam
Musical aspect of kaku
Book review: Indian music by B. Chaitanya Deva
Book reviews: Kathakali: the art of the non-worldly edited by D. Appukuttan Nair and Ayyappa Paniker; Text tone and tune: parameters of music in multi cultural perspective by Bonnie C. Wade and Brhaddesi of Sri Matanga Muni edited by Prem Lata Sharma
Folk-lore studies: some views
My training, my gurus
Mask dances of Bengal
Looking around as a playwright
Folk and classical music: a dichotomy that does not quite work in India
The English stage in Calcutta, Circa 1750: the old playhouse: the new playhouse or Calcutta
Musical education in India and its future
Addendum
Devotional music in India
Raga rupa: computer analysis and sangita shastra
Major kutiyattam artists and families
Telugu drama and stage
Kalarippayattu and performance in Kerala: I: from martial art to performanceZarriIli, Phillip B.
Folk dances and songs of Bihar
Aids to the teaching of music
Film music: a bibliography
Indian cultural delegation in China
Nritta and nritya varieties in India
Tyagaraja and Purandara Dasa
Kutiyattam and bhasa
Why I Like…..: some response
Unima - the marionette union
The urge to be someone else: an interview with Naseeruddin Shah
Overview of the folk theatre of Rajasthan
'Kalis' of Kerala
Raga performance time and the Garma-Murcchana system
Book review: Pallaki seva prabandham of Shahaji edited by Gowri Kuppuswami
Classical dance technique in dance-drama
The historical dialectic between classical music and dance in India
The living legend becomes a legend: a tribute
Musical education in India and its future: with particular stress on notation
Attaprakaram and kramadipika
Indigenous theatre in West Africa
Bhagavathi Paattu of the Mannaans
Dashavatar
Performance and peripherals: studies in music:II
Hindustani rhythm and John Dewey's aesthetics
Indian musicology: research methodology and theory construction
Raga Sagara and his "Raga Kalpadruma'
Tradition and modernity
Bharata natyam
A playwright's experiences
Books reviews: the sacred symphony: a study of Buddhistic and Vaishnava music of Bengal in relation to Hindusrani classical music by Krishna Bisht
Religion and theatre
An analysiss of gamakams of carnatic music using the computer
Book review: stage music of Maharashtra by Ashok D. Ranade
The training of the actor
The Parsi theatre: its origins and development: I
String puppets of Tamil Nadu
Khadilkar: a plea for perspective
Innovation and experimentation in theatre
Seerkazhi Arunachala Kavirayar and Rama Natakam
Theatre architecture and stage setting
With the daughters of Urvasi and Rambha
Taiyam
Amir Khusro
3rd all-Orissa drama festival
On aesthetics of raga and tala: some observations and proposals
Sruti: the scalic foundation
Three masters:Bade Ghulam Ali Khan, Ameer Khan, Bhimsen Joshi
An electronic thalam (Beat) generator
Note on Mysore school of Bharat Natyam
Kalarippayattu and performance in Kerala: II: from martial art to performance
The oral tradition of Mewat
Book review: Indian classical dance by Kapil Vatsyayan
Interview: Jerzy Grotowski-Eugenio Barba(Part-II)
Our street theatre
Book reviews: Bhatkhande's contribution to music: a historical perspective by Shobhana Nayar [and] Sitar music in Calcutta: an ethnomusicological study by James Sadler Hamilton
Towards an Indian orchestra: interview with Vishnudas Shirali
Over forty years before the footlights: chapter I & IV
Asian drama and lyric poetry
The music of the Tiruppugazh
Discussion the Rajasthan puppeteer on the ground
Music as an aid in educating the blind
Book reviews: The tabla of Lucknow: a cultural analysis of a musical tradition by James Kippen; Ranga-antaranga: theatre development centre for the performing arts , Bombay [and] The living music of Rajasthan by Vijay Verma
Aims and objects of asian theatre institute
Impressions of the folk dance festival
Thoughts on music in Aristotle's politics
Activities of the state academies
Influence of Indian dance on western ballet
Report on the competition of play production in hindi
Editorial: kavya and nritya
The Chinese dance and opera
Aesthetic value and Hindustani sangeet as a vehicle of culture
Guru Kunju Kurup
Film seminar speeches by Shri V. K. Krishna Menon
Hindi Drama Competition
Responses of young Indians to ragas
Culture, community, cosmos: two temple orchestras of Tamil Nadu
Marathi theatre criticism: age 150 years
Dr. Kumargandharva: an experiment within the tradition
The art of Kutiyattam
Notes and news
Scientific study of the Vaishnava music of Assam
Prehistoric paintings
Basavaraj Naikar's Sangya-Balya: betrayal: a folk tragedy
Folk plays of Orissa
Greek dances: our living link with antiquity
Kuchamani Khyal: a vibrant folk theatre of Rajasthan
Musical instruments: their contribution to the development of the concept of Svara and Raga
Documentary theatre in Germany today
Some notes on Gaman Hevisi (march beats): an aspects of Sinhala drum music of Sri Lanka
Shripad Krishna Kolhatkar: a reassessment
Jatra people's theatre of Orissa
Need for a theatre terminology in Hindi
Ancient Indian polyrhythms: the structure of the magatalas containing an explanation of their prominent status in the history of Indian rhythm
The reader answered: S.K. Saxena to Gajendra Narayan Singh
Folk musical instruments of Kerala
Book-review: Nataka medai Ninaivuhal: forty years before the footlights by Pammal Sambanda Mudaliar
Traditional theatre: the historical perspective
Social function of Indian music
Hindi folk drama
Sarangi in the morden context
Theatre in Nigeria
Kandyan dance: a traditional dance form in Sri Lanka
Rumanian new year customs
Karana sculptures, dance practice and the natyasastra in Indonesia
Indian classical dance and the challenges of its preservation
Two major Japanese traditions of puppetry
Resolution
Towards an instant theatre: fragmentation and functionalism in folk theatre forms
Compositions of the trinity in Sankarabharanam and Kalyani ragas
Book-review: Tabla-vadan aur shastra by Sudhir Mainkar
Evaluation of Thullal
Etymological and technical definitions of musical terms
My Guru Ojha Amubi Singh
The Nayikas of Indian classics: their genesis and rise to glory
Indian theatre in the context of world theatre
Marathi tamasha: yesterday and today
Bhagavata mela dance-drama of Bharata Natya
Experiments in music and dance: My years with Uday Shankar
A study of the laksanas of ragas in the sangraha chudamani
Devadasi system unknown to Kerala
Report: instruments matter: craftsmen of musical instruments and masters of music: a workshop
Calcutta: the other theatre in Calcutta
The sangitasuryodaya of Bhandaru Laksminarayana: a study in history
Impressions of the dance seminar
Origin and impact of music and dance on human development
Prahlad natak
Legitimate and illegitimate variation in raga interpretation
Classical music and mass appeal
Music of Kerala: A Study
Book review: Traditions of Indian classical dance by Mohan Khokhar
Shrikrishna Narayan Ratanjankar
Papa K. S. Venkataramiam
Innovations in Kathakali
Kshetrajna and other pada composers
Development of the Urdu Ghazal
Akademi honours for artistes: award winners
A case for regional theatre
The tonic note on the chordophone: its gradual development in Indian music
Protection of rights of Folk art performers
Obituary
Music in Kootiyattam
Kabuki: a theatrical experience
S.N.A.- Who's who
Book-review: Sastriya sangita and music culture of Bengal through the ages by Chhaya Chatterjee
Aharya: make-up and costume
Performing arts in Assam
Group-singing traditions of Rajasthan's Braj: a preliminary Survey
Folklore institute of Rumania
Book reviews: Madame Menaka by Damayanti Joshi; The music of Bharatanatyam by Jon B. And Higgins and in search of aesthetics for the puppet theatre by Michael Meschke
Temple dance and the devadasi in Karnataka
Building a school of music: student project
Some Rare Talas in Kerala Music
Some minor composers in South Indian music
On modes of music instruction in the Rampur-Sadarang tradition
Purandaradasa and carnatic music
Introduction
Experimental study of raga scales in Indian music-sankarabharana raga
Nada: the sound within, without
Gagaku and Bugaku
The professional theatre in the Western region
Drama seminar 1956 - recommendations
Brief survey of African music
Akademi awards
Tantric and cult dances of Assam
Dance tradition in Nepal
Aesthetic character of some asymmetrical rhythms: an analytic study
Folk drama for the contemporary stage
An aspect of Indian aesthetics
Madras: retarding influences in Tamil theatre
Short introduction to Byzantine music
In the adobe of 'Mahasu'
Theatre criticism in Marathi
Book reviews: Bala on Bharatnatyam edited and translated by S. Guhan; The varnam by Lalita Ramkrishna and Sitar technique in nibaddha froms by Stephen Slawek
Grotowski and the Indian tradition
Purisai Kannappa Thambiran
Book reviews: Music and mythology: a collection of essay edited by R. C. Mehta; Matralakshanam by Wayne Howard; Karnataka puppetry by S.A. Krishnaiah
Notating Indian dance
A very creative idea can also degenerate
East-West dance encounters
Veena Dhanam
Catussruti-jati ragas: an amateur's investigation
Form and variation in Rajasthani folk songs
My dance-odyssey
Towards a Genealogy of some Tanjavur Natyacharyas and their kinsfolk
Folk music in the life of Tamil Nadu
Book-Reviews: 1.Music Research: perspective and prospects
Studies on Indian musical scales: part-I: computer analysis on Venkatamakhi's Melakarta
Exotic music society in Holland
Indian dance: naive longings for winds of change
Scope of research in Indian music
Folklore of Rumania
Sitar-making today: problems and prospects of the craft
Folk musical instruments of India exhibition and Seminar - November 1968s
Mudiettu: rare ritual theatre of Kerala
Expressing emotions in music
Indian music and media communication
Music and religion
Chinese observer's tribute
Journey to a Rural Theatre of Last Fifty Years (1960‐2010)
The Indian Archives 1947-85
History of the Hyderabad Contingent
India and the Durbar
Ramlila in Ram Nagar
The Importance of a Clear Understanding of Britain's Work in India: An Inaugural Lecture Delivered Before the University of Oxford on November 4, 1920
Cultural Construct of the Dhola-Maru Narrative
Elements of Theatre in Daastaango
Of Muses, Museums & Museology
Natya Sangeet Ka aadhar: Lokokti, Muhaware aur kahawatein
Oral and Written Traditions in Documentation of Dance Notation in Indian classical Dances
Indian Politics
Papers on the Geology and fossils of the Neighborhood of Nagpur Central India
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