NDLI: Lady Horse Rider

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Illustrated Manuscript Prajnapamita Hrdaya Sutra

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Wooden Male Figure

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Carnelian Bead 12

Standing Buddha 6

Standing Bodhisattva 0

Fragment of Bangle

Textile Fragments

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Seated Avalokiteshvara

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Fragment of a Pottery 19

Standing Figure 4

Terracotta Female Head

Decorated Brick 8

Fragment of a Brick 0

Human Figure 11

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Bust of a Female Figure 0

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Panel Showing Standing Buddha

Manuscript of Prajnaparamita Hrdaya Sutra

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Vairochana Buddha

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Famous Images from India

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Fragment of Lotus Petals

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Lady Horse Rider

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Rectangular Wooden Tablet

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Lady Horse Rider

Content Provider	Indian Culture
Spatial Coverage	Astana
Temporal Coverage	7th-8th Century AD
Description	It is a beautiful sculpture that depicts a lady horse-rider of the t'ang period(618 - 906 AD). She wears a high cap, tight-fitting tunic and pants. She is riding a horse with a black saddle on tiger-skin saddle cloth, with flowing straps on the near side, white streak down the face. Her forehead is decorated with a beauty mark in red. She sits astride, holding reins. She wears long trousers, black shoes, small dark blue bodice with a v-shaped opening in front and short upper-sleeves. Head and face are very neatly modelled and finished. Her hair is black done in a high top knot over which is painted mesh of hair-net in grey colour. From this particular site of Astana, many horse-riders were found but this was the only example of a lady horse-rider, while others were in the military gear of men. All these mounted figures were meant to symbolize the retinue desired for the dead in his future abode. The lady and her horse are typically Chinese in style. Horses played a very important role in Chinese history. At one point of time, Chinese were paying heavily for the strong west Asian horses, as the horses which were found in China were pygmy in size and being heavy sluggish in movement. Hun attackers used to take advantage of the situation and after attacking and looting the Chinese dominion used to swiftly go back. The people were so enthralled by the majestic horses that horse was treasured and appreciated by one and all. It also got important representations in Chinese art. It changed the dress style of Chinese soldiers as they laid aside their traditional dress to adopt the high boots, baggy trousers and close-fitting tunic evolved by the attacker's life-style and it brought Ferghana known for the best horses within reach of the Chinese.
File Format	JPG / JPEG
Language	English
Publisher	National Museum
Access Restriction	Open
Subject Keyword	Sculpture Stucco Sculpture
Content Type	Image
Resource Type	Photograph

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