NDLI: A la pintura: preface, 1968–69, published 1972

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A la pintura: preface, 1968–69, published 1972

Content Provider	Art Institute of Chicago
Artist	Robert Motherwell
Spatial Coverage	United States
Temporal Coverage	1968-1972
Description	According to John McKendry, former curator at the Metropolitan Museum of Art, New York, if nothing else survived of Robert Motherwell's oeuvre save his A la Pintura, he “would still be seen as a major artist of the twentieth century.” Motherwell's book of 24 unbound pages, with 21 mixed intaglio prints, “illuminates the poetry” of Raphael Alberti. After Robert Motherwell discovered Ben Belitt's translation of Raphael Alberti's A la Pintura (On Painting), Motherwell recalled, “I had found the text for a livre d'artiste, a text whose every line set into motion my innermost painterly feelings. . . . This poetry is made for painters, and this livre was made for the poetry. I meant the two to be wedded, as in a medieval psalter, but with my own sense of the modern.” Just as Motherwell was inspired by poetry, Alberti found constant source material in the visual arts. A la Pintura was his homage to the collection of master paintings in the Prado Museum in Madrid and was dedicated to his friend and fellow Spaniard Pablo Picasso. [A work made of aquatint in orange, and lift-ground etching and aquatint in black, on white wove paper.]
File Format	JPG / JPEG
Access Restriction	Open
Rights License	The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.
Use Rights URL	https://creativecommons.org/publicdomain/zero/1.0/
Subject Keyword	Etching Paper (fiber Product) Print Prints and Drawings Artworks
Content Type	Image
Resource Type	Visual Artwork
Object Type	Drawing

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