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Head of a Black Woman, c. 1935
Content Provider | Art Institute of Chicago |
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Artist | Sargent Claude Johnson |
Spatial Coverage | United States |
Temporal Coverage | 1935 |
Description | In Head of a Black Woman, Sargent Claude Johnson combined abstract elements drawn from African sculpture and masks—such as the regularly scored marks that describe hair—with a naturalistic portrayal of the woman's physiognomy. In the 1920s and 1930s, writer and philosopher Alain Locke urged artists to seek aesthetic inspiration from African art, and Johnson frequently followed this advice. Here, by subtly stylizing the woman's appearance, Johnson made this delicate terracotta sculpture highly individual yet also timeless and universal. [Terracotta sculpture of a woman of African descent's face: her hair is flattened against her skull, extending down to the figure's neck, and its texture is delineated with small incisions. Her face possesses a prominent forehead, broad nose, and full lips. The sculpture is both highly individual yet also timeless and universal.] |
File Format | JPG / JPEG |
Access Restriction | Open |
Rights License | The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu. |
Use Rights URL | https://creativecommons.org/publicdomain/zero/1.0/ |
Subject Keyword | Terracotta Sculpture Modernism Modern And Contemporary Art Artworks Arts of the Americas |
Content Type | Image |
Resource Type | Visual Artwork |
Object Type | Sculpture |