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Toning the Bell, 1874
| Content Provider | Art Institute of Chicago |
|---|---|
| Artist | Walter Shirlaw |
| Spatial Coverage | Munich |
| Temporal Coverage | 1874 |
| Description | Like many artists of his generation, Walter Shirlaw furthered his training in Europe, studying at the Royal Academy in Munich. German instruction focused on a dark, painterly realism and was steeped in an astute understanding of aesthetic traditions. In Toning the Bell, executed during his student years and now considered his best-known work, the artist demonstrated an accomplished Munich style, featuring noble peasants, a limited tonal palette, and strong contrasts of light and dark. Prior to his time abroad, Shirlaw had worked in Chicago and helped establish the Chicago Academy of Design, a forerunner to the Art Institute of Chicago. [A work made of oil on canvas.] |
| File Format | JPG / JPEG |
| Access Restriction | Open |
| Rights License | The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu. |
| Use Rights URL | https://creativecommons.org/publicdomain/zero/1.0/ |
| Subject Keyword | Painting Oil Paint (paint) Realism Chicago Organic Material American Arts Portraits Artworks Arts of the Americas |
| Content Type | Image |
| Resource Type | Painting |
| Object Type | Painting |
