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The Railway Crossing (Sketch), 1919
| Content Provider | Art Institute of Chicago |
|---|---|
| Artist | Fernand Léger |
| Spatial Coverage | France |
| Temporal Coverage | 1919 |
| Description | Fernand Léger first saw the work of Georges Braque and Pablo Picasso at the Paris gallery of Daniel-Henry Kahnweiler. Around 1909 Léger began to paint in a Cubist style, although his compositions in this mode are more colorful and curvilinear than works by Braque and Picasso of the same period, with their angular forms and subdued tones. An artist with far-ranging interests and talents, Léger later became a designer for theater, opera, and ballet, as well as a book illustrator, filmmaker, muralist, ceramist, and teacher. Typically, Léger would develop a major composition by preparing studies in a variety of media. The Railway Crossing is an oil study for The Level Crossing (1919; private collection, Basel, Switzerland). When he took up this subject in 1919, he made a number of drawings and oil sketches, including the present work. Like many of his contemporaries, Léger was fascinated by the machine age. He maintained that machines and industrial objects were as important to his art as figures. References to such elements pervade The Railway Crossing. In the midst of a complex scaffolding of cylinders and beams, an arrow appears on a brightly outlined signboard. A network of solid volumes and flat forms seems to circulate within the shallow space, just as pistons move within a motor. The precise definition of his forms and the brilliance of his palette express Léger's belief that the machine, along with the age it created, was one of the triumphs of modern civilization. — Entry, Master Paintings in the Art Institute of Chicago, 2013, p. 118. This is one of thirty-five works that comprise the Winterbotham Collection. [Colorful bars and other shapes form a dense and chaotic network. At left of center is a black rectangle bordered in purple and yellow with a red arrow inside it. At far left is a partially visible yellow bullseye with white, blue, and red bands.] |
| File Format | JPG / JPEG |
| Access Restriction | Open |
| Rights Holder | © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris |
| Rights License | The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu. |
| Use Rights URL | https://creativecommons.org/publicdomain/zero/1.0/ |
| Subject Keyword | Oil On Canvas Abstract Shapes Modernism Painting Modern And Contemporary Art Circles Arrows Signs Geometric Joseph Winterbotham Collection Artworks Modern Art |
| Content Type | Image |
| Resource Type | Painting |
| Object Type | Painting |
